LOGOS MATER is the new album by Amelie Duchow, a sonic research inspired by the phonetic diversity of languages and by the distinctive rhythmic, timbral and acoustic structures that define their sonic identities. Combining experimental electronics, rhythmic structures, ambient textures and transformed vocal fragments, LOGOS MATER investigates the sonic dimension of language beyond the meaning of words. Accents, intonations, speech rhythms and phonetic nuances become compositional material, revealing the unique musicality embedded within linguistic diversity. Developed from voice contributions by participants from different linguistic and cultural backgrounds, the album transforms spoken language into multilayered sonic landscapes. Individual voices are fragmented, processed and recomposed, creating a listening experience in which language returns to its elemental qualities: breath, rhythm, resonance and vibration. Every language carries its own music. LOGOS MATER is an invitation to listen to these differences not as boundaries, but as shared resonances. All contributors whose voices became part of the project until February 2026 are acknowledged in the album credits. all tracks written by Amelie Duchow | released on Sync | 26.06.2026

Produced by Marco Monfardini Language contributors : Amanda, Ariel van Spronsen, Aristide Bonanno, Auro Murciano, Auguste Knust, Barbara Duchow, BBDBBBUTME, Beatriz Scotti, Claudia Klasen, Clyde, Colin Usher, Cosmin Haraga, Elif, Ernesto, Francesca Spinicchi, Fotini Zacharioudaki Apelidou, Gartxito, Gesa Georgius, Giovanni Alibrandi, Guillaume Sylvain, Inaciu Galán, Isabel Hofmeister, Jasmina, Javier Expósito Fernández, Juliet Mendoza, Julia Scotti, Juliane Haidinger, Katrin Duchow, Kontrastplatform,Lisa Romanowska, Luisa Navarro, Malgorzata Szczesniak, Marco Monfardini, Maren Sasse, Marinella Buraioli, Marta Oliveri, Martina Detjen, Mary Sol y Jose Cotarelo, Naquash, Nohita, Omega Dabale, Pela de Alamo, Peter Churchyard, Susanne Kirchmayr, Stefan Daltrop, Sylwester Galuschka, Trivimax, Ursula, Victoria Buznego, Werner Duchow, Xabel LeBoucher, Yeoneui Katie Kim, Yves Conrardy

AMELIE bio Amelie Duchow is a German audiovisual artist whose practice explores the relationship between sound, space, and visual perception. Working at the intersection of electronic music and moving image, she develops audiovisual compositions in which subtle, multilayered microsounds and intensive electronic structures are translated into dynamic visual forms. Her debut album TONSTICH was released on Sync, the audiovisual platform and label she co-founded with Italian media artist Marco Monfardini. In July 2026, she released her second LP, LOGOS MATER, an audiovisual project that explores the sound of languages as a universal connector. Inviting people from around the world to contribute recordings of their voices, Duchow transforms these vocal materials through sound analysis and electronic manipulation into audiovisual compositions. Every sound in the work originates from human voices, shifting the focus from the meaning of words to the sonic qualities of language itself to create a shared space of resonance that transcends cultural and geographical boundaries. She has presented LOGOS MATER at festivals and venues throughout Europe, Japan, and South Korea. In 2018, Resident Advisor featured her in Lucy Werrett's documentary See What I Hear. Her audiovisual work TONSTICH was included in the exhibition Electronic: From Kraftwerk to The Chemical Brothers at the Design Museum London (2020–2021). Amelie Duchow is a member of Female Pressure, the international network of women working in electronic music and digital arts. Since 2007, she has collaborated with Italian media artist Marco Monfardini under the name SCHNITT. Working across digital art , electronic music and technology, the duo creates audiovisual performances, installations, and site-specific projects that investigate the relationship between sound and image. Together they co-founded Sync in 2010, an audiovisual platform and label dedicated to experimental sound and moving image. Their works have been presented internationally at museums and festivals including Elektra Festival (Canada), MUTEK Montréal (Canada), LEV Festival (Spain), Sonica Festival (UK), ACT Festival (South Korea), and E-Phil (Germany). In 2018, SCHNITT and creative coder Gianluca Sibaldi co-founded EXTRAsync, an interdisciplinary platform for the development of multimedia projects and electronic devices. Their collaborations include SCANAUDIENCE, premiered at LEV Festival in 2019, a site-specific audiovisual performance based on the real-time scanning of the audience, and SCANSCAPE, a large-scale audiovisual installation commissioned by the Asia Culture Center (ACC), Gwangju, South Korea, in 2023. Their current performance, WHITE BALANCE, explores the relationship between image, light, space, and sound by reversing the conventional roles of audio and video.

L O G O S M A T E R audio/video performance artist : Amelie Duchow concept and music : Amelie Duchow and Marco Monfardini computer system and programming : Gianluca Sibaldi production : sync | EXTRAsync

www.amelieduchow.com https://www.instagram.com/amelieduchow/ https://www.facebook.com/profile.php?id=100010777035134 www.schnitt.it www.site-sync.com www.extrasync.net contact : info@extrasync.net

Amelie Duchow website