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BIO | Amelie Duchow
The german audiovisual artist Amelie Duchow investigates the experimental relationship between sound, space, and visual perception.
Her conceptual approach unfolds as an interplay of subtle, multilayered microsounds and intensive electronic structures transmuting into
immersive visual articulations that challenge perceptual boundaries.
She is a member ofFemale Pressure, thetransnational database and network of women working in the realms of electronic music and visual arts Female Pressure.
Her debutalbumTONSTICH has been released on Sync, audiovisual platform and label she runs together with the media artist Marco Monfardini.
Together they build the project SCHNITT working in the transitional area between electronic music, digital art and technology.
Their audiovisual performances and installations have been shown worldwide in museums and festivals as LEV Festival (ES,) Mutek Montreal (CA), Elektra Festival
(CA), e-phil (DE), ), Biennale Némo (FR), Act Festival (KR), Sonica Festival (UK).
Amelie Duchow, together with Gianluca Sibaldi and Marco Monfardini,forms EXTRAsync, an interdisciplinary platform dedicated to audio-visual research and the
development of multimedia projects, software, and audio/video devices.
L O G O S M A T E R
audio/video performance
artist : Amelie Duchow
concept and music : Amelie Duchow and Marco Monfardini
computer system and programming : Gianluca Sibaldi
production : sync | EXTRAsync
________________________________________________________________________________________________________________________________________
www.amelieduchow.com
https://www.instagram.com/amelieduchow/
https://www.facebook.com/profile.php?id=100010777035134
www.schnitt.it
www.site-sync.com
www.extrasync.net
contact : info@extrasync.net
A M E L I E D U C H O W
L O G O S M A T E R
How does a language sound beyond the meaning of its words ?
How much does the sound of a language influence us?
How does the sound of a language resonate with us?
The project LOGOS MATER by Amelie Duchow stems from a deep reflection on these questions.
The audio composition of LOGOS MATER draws inspiration from diverse phonetic and acoustic elements linked to the intrinsic nature of the world's languages.
Amelie Duchow invites people from all over the world to participate in this project by providing a webpage where anyone is able to capture their own voice,
leaving it to the artist's sound analysis and the resulting creative process of manipulation and alteration.
https://www.extrasync.net/logosmater/index.html
Every sound used in the audio composition derives from the vocal contributions which will confer identity and uniqueness to the development of the live performance.
The composition of LOGOS MATER emerges in a global language that does not express itself with words, but with sound, seeking to “speak” and connect us,
at least for a moment, by transcending cultural and geographical boundaries.
The webpage remains active throughout the projects presentations and every live performance of LOGOS MATER will incorporate the latest voice contributions.
The composition of LOGOS MATER is among the winners of the open call initiated by raster - media for soundtrack Europe 2025.
https://europe2025.raster-media.net/inthefield/
The performance invites the audience to reflect on the significance of languages in shaping our individual and collective identities and on the fact that humanity today is
facing a massive extinction: languages are disappearing at an unprecedented pace as over 40% of the world’s approximate 7,000 languages are at risk of disappearing.
The webpage remains active throughout the projects presentations and every live of LOGOS MATER will incorporate the latest voice contributions.
For the live performance a specially developed device in form of an language trigger-world globe permits the artist to control and manipulate the world languages in real
time.
The voice contributions from all over the world and the ones left a few days before the performance get assigned on this special globe to their respective countries,
allowing to create live a deep and eclectic layering of voices that bridges cultures and geography through sound.
The composition of LOGOS MATER is among the winners of the open call initiated by Raster for soundtrack Europe 2025.
https://europe2025.raster-media.net/inthefield/
Amelie Duchow website
L O G O S M A T E R
A M E L I E D U C H O W
How does a language sound beyond the meaning of its words?
How much does the sound of a language influence us?
How does the sound of a language resonate with us?
The project LOGOS MATER by Amelie Duchow stems from a
deep reflection on these questions.
The audio composition of LOGOS MATER draws inspiration
from diverse phonetic and acoustic elements linked to the
intrinsic nature of the world's languages.
Amelie Duchow invites people from all over the world to
participate in this project by providing a webpage where
anyone is able to capture their own voice, leaving it to the
artist's sound analysis and the resulting creative process of
manipulation and alteration.
https://www.extrasync.net/logosmater/index.html
Every
sound
used
in
the
audio
composition
derives
from
the
vocal
contributions
which
will
confer
identity
and
uniqueness
to
the development of the live performance.
The
composition
of
LOGOS
MATER
emerges
in
a
global
language
that
does
not
express
itself
with
words,
but
with
sound,
seeking
to
“speak”
and
connect
us,
at
least
for
a
moment,
by
transcending
cultural
and
geographical
boundaries.
The
webpage
remains
active
throughout
the
projects
presentations
and
every
live
performance
of
LOGOS
MATER
will incorporate the latest voice contributions.
The
composition
of
LOGOS
MATER
is
among
the
winners
of
the
open
call
initiated
by
raster
-
media
for
soundtrack
Europe
2025.
https://europe2025.raster-media.net/inthefield/
The
performance
invites
the
audience
to
reflect
on
the
significance
of
languages
in
shaping
our
individual
and
collective
identities
and
on
the
fact
that
humanity
today
is
facing
a
massive
extinction:
languages
are
disappearing
at
an
unprecedented
pace
as
over
40%
of
the
world’s
approximate
7,000 languages are at risk of disappearing.
The
webpage
remains
active
throughout
the
projects
presentations
and
every
live
of
LOGOS
MATER
will
incorporate the latest voice contributions.
For the live performance a specially developed device in form
of an language trigger-world globe permits the artist to control
and manipulate the world languages in real time.
The voice contributions from all over the world and the ones
left a few days before the performance get assigned on this
special globe to their respective countries, allowing to create
live a deep and eclectic layering of voices that bridges cultures
and geography through sound.
The composition of LOGOS
MATER is among the winners of the open call initiated by
Raster for soundtrack Europe 2025.
https://europe2025.raster-media.net/inthefield/
L O G O S M A T E R
audio/video performance
artist : Amelie Duchow
concept and music : Amelie Duchow and Marco Monfardini
computer system and programming : Gianluca Sibaldi
production : sync | EXTRAsync
photo : Rachele Salvioli
________________________________________________________________________________________________________________________________________
www.amelieduchow.com
https://www.instagram.com/amelieduchow/
https://www.facebook.com/profile.php?id=100010777035134
www.schnitt.it
www.site-sync.com
www.extrasync.net
contact : info@extrasync.net
BIO | Amelie Duchow
The
german
audiovisual
artist
Amelie
Duchow
investigates
the
experimental
relationship
between
sound,
space,
and
visual
perception.
Her
conceptual
approach
unfolds
as
an
interplay
of
subtle,
multilayered
microsounds
and
intensive
electronic
structures
transmuting into
immersive
visual
articulations
that
challenge
perceptual
boundaries.
She
is
a
member
of
Female
Pressure,
the
transnational
database
and
network
of
women
working
in
the
realms
of
electronic music and visual arts Female Pressure.
Her
debut
albumTONSTICH
has
been
released
on
Sync,
audiovisual
platform
and
label
she
runs
together
with
the
media artist Marco Monfardini.
Together
they
build
the
project
SCHNITT
working
in
the
transitional
area
between
electronic
music,
digital
art
and
technology.
Their
audiovisual
performances
and
installations
have
been
shown
worldwide
in
museums
and
festivals
as
LEV
Festival
(ES,)
Mutek
Montreal
(CA),
Elektra
Festival
(CA),
e-phil
(DE),
Biennale Némo (FR), Act Festival (KR), Sonica Festival (UK).
Amelie
Duchow,
together
with
Gianluca
Sibaldi
and
Marco
Monfardini,forms
EXTRAsync,
an
interdisciplinary
platform
dedicated to audio-visual research and the
development
of
multimedia
projects,
software,
and
audio/video
devices.
Amelie Duchow website
photo: @levfestiva @delapuentefotoespacio
photo: Rachele Salvioli